[PDF.15xt] Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)

Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)

[PDF.of03] Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)

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 | #4443113 in Books |  2016-04-01 |  2016-04-01 | Original language:English | PDF # 1 |  6.30 x1.20 x8.90l,.0 | File type: PDF | 338 pages

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|| |Shrewdly mobilizing the tropes of negativity and autonomy that both Blanchot and Adorno develop in ways that differ from the more familiar models offered by Hegel and Heidegger (yet are inevitably indebted to them), Allen’s book convincingly demonstrates

Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or...

You can specify the type of files you want, for your device.Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)   |  William S. Allen. Just read it with an open mind because none of us really know.

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