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Collecting as Modernist Practice (Hopkins Studies in Modernism)

Jeremy Braddock




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 | #2343120 in Books |  Johns Hopkins University Press |  2013-01-03 |  2013-01-03 | Original language:English | PDF # 1 |  9.00 x.81 x6.00l,1.35 | File type: PDF | 336 pages

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||2 of 2 people found the following review helpful.| Collections: collectors or collectives?|By Daniel Williams|The most striking and immediate aspect of this book is the sheer marshaling of facts, the fruit, it is clear, of years of careful research and more importantly years of careful writing. The most important result of this is the avoidance of abbreviating the story through portentous theorizing about 'modernism(s)'. Animat| ||"A book that's going to rewrite what we think about art objects, poems, property, museums, anthologies―and race and modernity and on and on... So comprehensive is it that it will be impossible to ignore." (Tim Morton Ecology Without Nature)

In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression―the art collection, the anthology, and the archive―and their importance in the development of institutional and artistic culture in the United States.

Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreym...

You can specify the type of files you want, for your device.Collecting as Modernist Practice (Hopkins Studies in Modernism)   |  Jeremy Braddock. I really enjoyed this book and have already told so many people about it!

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