[PDF.14fj] Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film Before World War II
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Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film Before World War II
Cedric J. Robinson
[PDF.lt29] Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film Before World War II
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| #7672381 in Books | 2012-12-28 | 2012-12-28 | Format: Large Print | Original language:English | PDF # 1 | 10.00 x1.83 x7.75l,3.41 | File type: PDF | 812 pages||10 of 10 people found the following review helpful.| A Stupendous Effort|By Andre Ali Seewood|This is one of the best works of African-American film studies to come out in years. Many of us who have found the work of David Bogle (Toms, Mammies, Mulattoes, Bucks & Coons) wanting on several levels will have their prayers answered with Robinson's impeccable scholarship and far-reaching analysis of the changing perceptions and rep||A call to action.--National Political Science ||
Offers a copiously researched and compelling study. . . . A profoundly important and elegantly written historical study of a great artistic conflict.--Theatre Research International||
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early ""talkies"" firmly entrenched limited representations of African Americans. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
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