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The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult

Leon Surette




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 | #2817338 in Books |  Mcgill Queens Univ Pr |  1994-05-19 | Original language:English | PDF # 1 |  9.03 x.85 x6.02l,1.11 | File type: PDF | 332 pages

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||6 of 6 people found the following review helpful.| Dark Horse Retrieved in Our Time|By Bob Dobbs|In an era when young people inevitably acquire a familiarity with conspiracy theory because it is a popular topic on the Web,
Prof. Surette's 20-year old research into the history of "conspiracy memes" is invaluable for university curricula today - perhaps even for seniors in high school.

And his book is especially i| |
"Surette's study will be a controversial work of literary history, but it is one that deserves respect for its wide-ranging scholarship, its wit, and the thoughtful subtlety and restraint with which he presents his challenging thesis." E.F. Harden, Choice

While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that Pound's editing of T.S. Eliot's The Waste Land was not motivated primarily by stylistic concerns, as has generally been contended by the New Critics, but by thematic considerations. In fact, it was precisely becaus...

You can specify the type of files you want, for your gadget.The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult   |  Leon Surette. Which are the reasons I like to read books. Great story by a great author.

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