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The Theater Is in the Street: Politics and Public Performance in 1960s America

Bradford D. Martin




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 | #2151497 in Books |  Univ of Massachusetts Pr |  2004-10-01 | Original language:English | PDF # 1 |  9.02 x.51 x5.98l,.95 | File type: PDF | 224 pages

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||0 of 0 people found the following review helpful.| A critical book for postwar scholars|By K_Love|This book is really significant in connecting previously disparate strands of spatial protests within a postwar movement of using visibility in public space as a political tool. In particular, the book's chapter on The Diggers is excellent. I cite it in my work and I highly recommend it.|0 of 0 people found the following review he| |"A sophisticated, well researched, and very well written account of four important groups of politically inspired public performers. Martin successfully argues that the line between the counterculture and political radicals was far from distinct."―David Farb

During the 1960s, the SNCC Freedom Singers, The Living Theatre, the Diggers, the Art Workers Coalition, and the Guerrilla Art Action Group fused art and politics by staging unexpected and uninvited performances in public spaces. Through their activism and the response it provoked, art, theater, and politics began to converge and assume a new visibility in everyday life. While their specific political visions varied, these groups shared the impulse to stage performances a...

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